There’s a chance of redemption, but it inevitably means an act of betrayal. There is a warm and youthful energy in A Ciambra that never quite leaves you. But Pio’s attention quickly shifts to his older brother, Cosimo, whom he follows everywhere. Copyright © 2020 Penske Business Media, LLC. Jeden Augenblick könnte die Situation eskalieren, meistens lenkt jedoch der Einsatz bebender Popmusik von den eigentlichen Problemen ab, wenngleich eine grundlegende Anspannung niemals verschwindet. 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Isolating a minor character from 2015’s “Mediterranea” and recasting him as the heart and soul of an unusually volatile coming-of-age story, “A Ciambra” further articulates why Gioia Tauro is such a vivid microcosm of the seismic cultural realignments that are defining the 21st century. Indie film advocate. Sign Up: Stay on top of the latest breaking film and TV news! The boy’s grandfather is a particularly helpful character; seemingly centuries removed from his grandson, the old man has a lot of trouble speaking, but Pio understands what he’s trying to say. Die dort beheimatete Romafamilie Amato war verantwortlich für den schicksalhaften Diebstahl, der nun auch schemenhaft in A Ciambra zu erkennen. With the help of his sister the panic goes away. Stars: Pio Amato, Koudous Seihon, Damiano Amato. On of the most emotional scene comes towards the end when, still banished from his community, his sister comes to find him. Die dort beheimatete Romafamilie Amato war verantwortlich für den schicksalhaften Diebstahl, der nun auch schemenhaft in A Ciambra zu erkennen. Mit der Nutzung unserer Dienste erklärst du dich damit einverstanden, dass wir Cookies verwenden. "Search Ends When Sharing Starts" If you already know the meaning of Ciambra in English or in any other language, Please contribute that will helpful for other users, also you can edit any data like gender, pronunciation and origin to improve accuracy. Born into an Italy characterized by migrants and travelers, Pio doesn’t seem to care this new friend is from Burkina Faso. Umso niederschmetternder ist die Erkenntnis, wenn nach knappen zwei Stunden im Gedränge dieses erbarmungslosen Mikrokosmos selbst der letzte Funken Idealismus erloschen ist, weil er nie wirklich als solcher erkannt wurde. Stay on top of the latest breaking film and TV news! Dabei dominiert ein Gefühl für Familie und Zusammenhalt, während gleichzeitig Hass und Vorurteile gegenüber den Fremden dafür sorgen, dass sich Situation in den staubigen Straßen niemals entspannt. And despite the limited scope of his work, the young writer-director might be one of the world’s most vital filmmakers. Shot with a vérité intimacy that physicalizes Pio’s ability to float between worlds — a trait that captures and complicates the character’s nomadic heritage — “A Ciambra” seems uncomfortable with the identity crisis in which Pio soon finds himself. Wer das Gemeinschaftsgefühl im Clan missachtet, bringt sich in Verlegenheit. It is not the ending we wanted (or at least not the one I wanted) but it is definitely the one that Pio needs. If anything, he never feels more at home than he does in the scene where he watches a soccer match with a group of Africans in a refugee camp, the crowd chanting his name in thanks for bringing them a flat-screen TV. But Carpignano, in his non-didactic way, argues that cultures are living things that need to be permeable if they are to be protected. And when Pio’s father and brother are both arrested, it isn’t long before he sees Ayiva (fellow “Mediterranea” alum Koudous Seihon, an electric screen presence) as his new male role model. Sign up for our Email Newsletters here. It even brought home the Europa Cinemas Label Awards at last year’s Cannes film festival. Pio struggles but is still incapable of making a decision and so simply does not. A reminder that, up until the end and despite Pio’s many attempts, everything in the film points to the fact that Pio is still a child. Pio is an ambivalent character, stuck in between two ages. The representation of all different communities is rather used to isolate Pio who seems to be the only one navigating freely within all these differences. And that holds true even when the story itself is falling apart. A Ciambra does start off slowly and the first half of the story is used to establish Pio’s surroundings and the obvious obstacle he faces. to get this name's meaning and other information. Unmittelbar fängt die Kamera die Angst in Pios Gesicht ein. With Mediterranea, Carpignano made a plunge into the European refugee crisis while A Ciambra is more focused on the importance of family and the struggle of growing up. This time Pio does not get out before the train starts and gets stuck on a moving train that he cannot control. Always. To help his mother pay the 9000 Euros she owes for electricity, Pio steals suitcases from a stationary train but only gets 50 Euros from a stolen Ipad. It is currently seeking U.S. distribution. Their bond is totally believable, which makes it all the more frustrating that the film doesn’t let it fully develop. A Ciambra – Kritik. We keep adding meaning and other info to all names. Pio’s goal is clear but his young age rapidly becomes an obstacle. But the solution becomes clearer and brings us to the end. “A Ciambra” is more successful when unpacking the cause of Pio’s identity crisis than it is when searching for solutions. Ayiva’s community is the first place Pio looks for shelter, which makes it difficult for Pio when his brother asks him to betray Ayiva for money. Endlich in der Position angekommen, in der er als starker Mann die Familie ernähren muss, wird Pio mit der bitteren Realität seiner Coming-of-Age-Geschichte konfrontiert, die einer Sackgasse gleicht, anstelle ein Leben voller Chancen und Möglichkeiten zu offenbaren. When Pio is caught stealing from a friend of his own family, he is banished by his father. On the other end of the spectrum in terms of modulated filmmaking is the latest from Andrey Zvyagintsev, ... “A Ciambra” is essentially a coming-of-age story although Carpignano is careful not to play any of the beats in maudlin, melodramatic ways. Resolved to help out his family by any means, he often depends on Ayiva and his motorbike to get around as the speed of trains terrifies him. In fact, he’s so focused on the limits of their relationship that he fails to meaningfully explore the extent to which they impact one another. Umso niederschmetternder ist die Erkenntnis, wenn nach knappen zwei Stunden im Gedränge dieses erbarmungslosen Mikrokosmos selbst der letzte Funken Idealismus erloschen ist, weil er nie wirklich als solcher erkannt wurde. Right at the middle of the film Carpignano inserts magical dream sequences during which Pio comes across visitors from the past. They are stories of pride, not pity — stories that respect the burden of identity and know that kindness isn’t always enough to bridge the divides that separate us from each other. If Holly Golightly and Margot Tenenbaum ever had a daughter, she'd make more sense than me. Effectively playing a version of himself, Pio is a gawky 14-year-old who’s very ready to graduate from the awkward purgatory of adolescence. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. It is a “common denominator”. This proves particularly fatal during a scattershot third act that hinges on a massive convenience that’s too improbable and/or poorly explained. The film starts us off with groups of young children, running around Pio and along the village streets, smoking. On of the most emotional scene comes towards the end when, still banished from his community, his sister comes to find him. Pio makes several attempts but fails. But the central relationship seems to be between Pio and Ayiva. Wer das Gemeinschaftsgefühl im Clan missachtet, bringt sich in Verlegenheit. The child’s point of view is emphasized with pop music and vivid colors. Sure, he’s been smoking since he could walk and he’s been thieving for so long that he probably stole that first pack of cigarettes, but he’s still just a kid who’s trying to understand a world that doesn’t resemble the one that shaped the older generations of his sprawling Roma family. Not that it matters all that much when you’ve got a protagonist as pure and watchable as Pio Amato. Together they get on a train to steal more suitcases. “On the road, against the world.”. READ MORE: The 2017 IndieWire Cannes Bible: Every Review, Interview and News Item Posted During the Festival. Curious, like most children are, Pio follows. Pio’s brother is more of an antagonist, either dismissing Pio or getting him in trouble, while Ayiva cares for Pio and welcomes him in his community. Mercifully, “A Ciambra” doesn’t sink into a hackneyed drama about an unlikely friendship, nor does Carpignano view Pio and Ayiva as a naïve model for some kind of post-racial society. All rights reserved. Alas, at the end of the film, once Cosimo gets out, he plans to loot Ayiva’s storeroom of stolen goods and he wants Pio to help him, and Pio has a moral dilemma — stand with my brother or stand with my friend? Pio idolizes his older brother and his father, but it’s clear that he can’t square the casual racism they spout around the dinner table with his own experiences with the area’s growing African population. If he keeps his camera trained on Gioia Tauro, he might just be able to show us the whole world. When his brother gets arrested along with his father, Pio is determined to find a way to provide for his family the same way his brother did, through thefts and petty crimes. The camera moves the same way the children behave, in quick and uncoordinated movements. In dokumentarisch angehauchten Aufnahme folgt Jonas Carpignano dem alltäglichen Treiben in Gioia Tauround beobachtet grundverschiedene Menschen, die sich nichts zu sagen haben und trotzdem jeden Tag aufs Neue in diesem winzigen Kessel der Gesellschaft aufeinandertreffen.