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Use of this site constitutes acceptance of our User Agreement (updated 1/1/20) and Privacy Policy and Cookie Statement (updated 1/1/20) and Your California Privacy Rights. 'Her Smell' features Elisabeth Moss as a '90s alt-rock burnout that makes Courtney Love look like Mother Teresa. I’ve done four films this summer, and that was definitely the hardest one.”. It’s a sequence that tinges its tenderness with something akin to hope, and Perry lets a quiet fall over these scenes of Becky in seclusion— even the editing calms down as she considers her own sobriety and how it will hold when the next temptation hits her in the face. Her Smell centers around a flirtation with death (including many career suicides), but it is also about rebirth, one that comes with its own uncertainties. Cara Delevingne co-stars in film, which opens this spring. At her lowest, Becky unsuccessfully tries to exorcise her demons by hiring a fraudulent shaman whom she calls Ya-ema, even though his real name is Alvin. HuffPost is part of Verizon Media. Neither is Virginia Madsen as her put-upon mother. Backstage is Perry’s version of hell, with cinematographer Sean Price Williams (Good Time) lighting the dressing room like a vomit-green trap, which It is, while the camera bangs off the walls like an ensnared beast. Perry is interested almost exclusively in the effect her addiction has on everyone around her; Live Through This, the Hole album title, comes to mind, with Becky serving as the “this” for those in her life. Even at her high points, Becky’s always on the verge of eruption—a quality that made Love so enthralling to watch during her early album cycles. Read Peter Travers' review. You can if it’s this one. Through the fragmented story of a larger-than-life but past-her-prime ‘90s punk-rock star who’s fallen victim to addiction—Courtney Love comparisons are certainly apt here—Perry stuffs “Her Smell” with an alarming dose of physical and emotional suffering. On Friday, the film that made Tom Cruise (and made briefs briefly hip as underwear), “Risky Business” (1983), plays at the Brattle with a killer ’80s soundtrack that includes Tangerine Dream and Talking Heads (David Byrne’s “True Stories” plays the Brattle on Tuesday too). “I think that self-destructiveness can also mean self-reflection, can mean poetic sensibility,” Love says in that Spin interview. It’s not hard to imagine music journalists in the world of Alex Ross Perry’s new rock’n’roll drama, Her Smell, breathlessly reporting on the antics of Becky Something (Elisabeth Moss) as writers did during Courtney Love’s chaotic reign. “Becky Something, she’s a woman,” Agyness Deyn’s character, Marielle, tells her. We would like to show you a description here but the site won’t allow us. (More cinematic offerings can be found in our week-ahead events calendar.). This last sentence is both a mixed response to what Perry achieves in “Her Smell”—sure, he succeeds at making you feel the hurt of his aging star named Becky Something (Elisabeth Moss, never more pained or maniacal), though at what cost?—and a fair warning for the viewer. But it’s impossible to turn away from Moss, especially when she’s flashing that maniacal smile. We want to hear from you! Through the fragmented story of a larger-than-life but past-her-prime ‘90s punk-rock star who’s fallen victim to addiction—Courtney Love comparisons are certainly apt here—Perry stuffs “Her Smell” with an alarming dose of physical Instead of punishing her for this, the film attempts to reassemble her, to find the soft flesh and tender heart that’s been there all along. Her Smell is a 2018 American drama film written, co-produced and directed by Alex Ross Perry.It stars Elisabeth Moss, Cara Delevingne, Dan Stevens, Agyness Deyn, Gayle Rankin, Ashley Benson, Dylan Gelula, Virginia Madsen and Amber Heard and follows Moss as fictional rock star Becky Something, whose band experiences brief fame but is broken up by her self-destructive behavior. In a 1998 Spin cover story, Courtney Love compares herself to another infamous blonde: Madonna. Tomris Laffly is a freelance film writer and critic based in New York. Bojangles’ Songwriter, Dead at 78, How to Watch UFC 254 Online: Live Stream Khabib vs. Gaethje on ESPN+, Tekashi 6ix9ine Transforms Into a ‘Supervillain’ in New Teaser for Showtime, ‘Rolling Stone’ Doc, The Best Home Speakers for Room-Filling Sound, Steve Perry: ‘My Heart Bleeds Daily to Be in Front of People And to Sing for Them’, Record Store Day 2020: 10 Great Exclusive Releases From the October Drop, Metallica, My Chemical Romance to Headline Aftershock 2021, The Last Word: David Byrne on Embracing Nonsense and Owning His Mistakes. But despite the glee she feels onstage, the clip shows that Moss’ character, Becky Something, has a darker side. That the film doesn’t self destruct along with Becky is due to Moss, whose open wound of a performance is tempered near the end when she croons Bryan Adams’ “Heaven” to her daughter. ), made up of real It Girls Cara Delevingne, Ashley Benson, and Dylan Gelula. We want to hear from you! Also on Saturday for family viewing, “E.T. While each of the film’s sections starts with home-style videos serving as brief Preludes into the world of the “former” (normal?) Fame knocks the hell out of Becky Something (Elisabeth Moss in a five-alarm fire blaze), a ’90’s indie punk rocker who leads a riot grrrl band that she bombards with near-constant verbal abuse. Memory House by Brazilian Director Joao Paulo Miranda Maria Wins the Roger Ebert Award at the 56th Chicago International Film Festival, High Powered: Aaron Moorhead and Justin Benson on Synchronic, Highlights from Ebert Symposium on Future of Movie Industry, Ebert Symposium 2020: Part 2 Streaming Today, October 22nd, 2020. “Her Smell,” Alex Ross Perry’s relentless new film, poses the problem in a different register, and not only because the difficult artist in question is a woman. The Harvard Film Archive brings in director Alex Ross Perry to introduce “Her Smell” – Elizabeth Moss’ take on a Courtney Love character – and the weird future of the Reagan years, as portrayed in film, takes over screens all month at the HFA and Brattle. In five distinct and frantically escalating narrative acts spread across nearly a decade, Becky goes down the deep end relentlessly, in front of anyone who’s ever cared for her—fellow Something She band-members Ali (Gayle Rankin) and Mari (Agyness Deyn), the now-struggling record executive Howard (Eric Stoltz), her powerless mother who once financially relied on Becky (Virginia Madsen), her fed-up yet well-meaning musician ex Danny (Dan Stevens), her young daughter Tama (Daisy Pugh-Weiss) ... and the list goes on. By that point Becky is sober but still temperamental, and the last scene isn’t exempt from the thrumming anxiety that runs through the film. But when we were shooting it, it was not easy. The Brattle Theatre, 40 Brattle St., Harvard Square. Please consider making a financial contribution to maintain, expand and improve Cambridge Day. Her Smell is perhaps more of an uncomfortable watch than an enjoyable one, giving the viewer a front row seat to Becky’s destructive behavior. Becky chooses both — and you don’t want to get in her way. If her behavior feels irrevocably doomed, the twist is that she seems to know it. Boston, Davis Square, entertainment, environment, Film, Harvard Square, Harvard University, slider, added by Tom Meek on Sunday, November 3, 2019

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